Exhibition "Golden Diplomas of VGIK" 0+ Automatic translate

State Institute of Cinematography. S. A. Gerasimova presents an exhibition of works by students, graduates and teachers of the Faculty of Arts. The exposition of the exhibition presents about forty works of the methodological fund of the art faculty of VGIK, created in different periods of time.

The Faculty of Arts teaches in workshops in three areas: a feature film artist, an animation film artist and a costume film designer.

The main qualities of a professional film designer are to be able to compose and organize space both in the pavilion of the training studio, and at Mosfilm or a private film company. The artist reveals the essence of drama with the help of the means under his control: in the composition of the sketch, the scheme of the mise-en-scene, the graphic and color scheme of the storyboard. It is he who "opens his eyes" to how this or that scene will look on the screen. Through the artist’s work, in fact, there is an opportunity for a unified vision of the visual tasks of staging a film (A. Kuznetsov "Matveyev’s Joy", M. Abakumov "Kuzminskiye Sady", Y. Fomenko "People of the Sea").

The animation film workshop, which has existed since 1938, has released many favorite cartoons, including: "Lefty", "Pinocchio", "Fox and the Hare", "Heron and Crane", "Tale of Fairy Tales", "Return of the Prodigal Parrot", and "Hedgehog in the Fog", which was repeatedly recognized at international festivals as the best animated film of all times and peoples.

The studio of the artist of the animated film has established the highest level of fine art, which is now characterized by the Russian school of animation, which enjoys prestige all over the world (V. Yushin "Torment and Joy", A. Melik-Sarkisyan "Running on the Waves", E. Miloradov wall ").

In 1977, a studio for a costume designer was created. Costumes in cinema are not just clothes, but a system that includes a color, stylistic and dramatic solution of the entire ensemble of film costumes, detailed development of silhouettes, textures, materials and details. It is a powerful expressive means that conveys the flavor of the era, reinforcing the dramatic line and revealing the inner essence of the heroes.

The mastery of special disciplines by future artists rests on the solid foundation of the traditional academic school of painting. For a film and television costume designer, the history of the costume, modeling, and the technology of making a costume for cinema are also important. In the process of teaching the artist of an animated film, the masters teach students to think in the images of animation, offer them step by step to master all types of creative work, try themselves in different genres of animation, and master digital technology. During their studies, students undergo compulsory practical training at film studios.