Exhibition of Julia Neronsk "Abroad" 18+ Automatic translate

Gallery “Ul. Malevich "3rd floor

From September 7 to October 6, 2019, the exhibition of the Moscow artist Yulia Neronska “Abroad” will be held at the ARTMUZA Museum of Modern Art.

Neronska Julia was born in Riga on August 5, 1988.

In 2015 she graduated from Moscow State University named after M.V. Lomonosov, faculty of political science.

In 2019 received a diploma from the Moscow State Art School named after S. G. Stroganov, faculty of monumental and decorative painting.

The basis of creativity is Man as an object. Its visual component, as an independent subject of art, and social, provides inspiration for the study of new materials and approaches, starting with anthropometric methods of fixing aesthetics, interaction, ending with performance and mixed techniques.

The works of the author are in private collections in Russia, Latvia and Germany.

A series of watercolor drawings is a mixture of abstract and expressive graphics, striving to convey free emotion that transcends the boundaries of objectivity. Active color accents alternating with a landscape terracotta palette create a fantasy watercolor space that invites you to a visual journey in which there are no borders, there is no clear plot route, and each time the viewer interprets the image based on his own state at the time of perceiving the work. The freedom of movement of materials is emphasized by the guiding contours of the silhouettes, reminiscent of the sensual motifs inherent in elusive naked figures.

A series of works combines aesthetics and conceptualism, movement and statics. Each drawing is written from nature, and in turn, this opportunity to contact the object of writing will inevitably integrate into the image - the desire for movement, for a change of state, the desire to create a new impression and inspire. Each figure captures the escalation of the exchange of energy of the author and the model with a color code on paper.

This is more than an abstract body, more than a fantasy series - it is the desire to capture the elusive “now” with a color imprint.

Julia Neronska: “I love watercolor dynamics, its self-sufficiency in the ability to create new shades and shapes, transforming the original application of paint. There is some partner work of the artist and the material in this.

Through the abstract presentation of the body, I am pleased to convey not only the relation to the form, but also the state of the form itself, which is beyond physiological, natomic accuracy. What we are, if not the mixing of certain particles in a particular place, at a specific time; the mixing of a certain color, a certain subjectivity, enclosed in a certain form, in a certain border of our body.

In each working session, I reach the devastating point of creativity - I feel that I have laid out completely, not trying to leave something for myself or the next time. ”

Within the framework of the exhibition, another series “Caution - fragile” is exhibited.

Here, watercolor freedom is replaced by thin, cutting lines. Graphics take on a more dramatic mood. There is a transition from content to form, from filling to detailing the boundaries of the vessel.

The triptych of the same name "Caution - Fragile" eclectically combines classical ballet proportions - elegant in its sophistication - and, contrasting in degree of elevation, an element of the packing tape.

This harmonious confrontation emphasizes the vulnerability and vulnerability of such a biologically strong and flexible creature as a person.

The given mixed technique is continued by works for which Danila Polyakov performed as a muse.

“I am interested in cultivating the personality of the model. In the case of Danila, the highest point of collaboration creativity turned out - he came to the workshop with a whole traveling bag of props, there were: corsets, jewelry from spools of thread left after preparing his exhibition of patchwork paintings in the Museum of Art4, soles from shoes tied to the foot, fur coat, etc.

The central place in the selected images was occupied by the corset. According to Danila, even a man is able to feel the heaviness, and then the liberating ease of motherhood, having tightened the corset well. I liked this comparison and in one of the drawings I replaced the cut out corset with a mirror surface reflecting our willingness to mirror ourselves into the future through procreation or to realize my reflection in other areas. ”