Parsuna Automatic translate

The definition of “parsuna” is a distorted concept of words such as “person” and “personality”, and comes from the Latin word “persona”. Initially, this definition was synonymous with the word and concept portrait, regardless of the image technique and style, time and place of writing. The concept of “Parsuna” in a certain sense of the product of the period of transition from icon painting to secular painting was proposed by Snegirev in 1854.

Mikhail Vasilievich Skopin-Shuisky, parsuna. The second half of the XVII century.

Parsuna appeared during the transitional period of Russian history, at a time when the transformation of medieval worldviews was under way and the latest artistic ideals were being formed. The first Russian parsuns were probably created by the masters of the Armory in the Moscow Kremlin in the 17th century. The most famous artist who wrote parsons is Simon Ushakov. According to the techniques, style and material of the painting, initially parsons can differ little from icons and are executed on an icon board with an ark.

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Sometimes a component attribute of the icon is written, like a kind of halo around the head of the character being depicted. In the second half of the 17th century, the parsuna is often painted on canvas using the oil painting technique, but the manner of execution continues to adhere to icon-painting traditions. According to art historians, parsun painting finally turned into a European pictorial portrait only in the middle of the 17th century, but in provincial regions technique similar to parsun existed much longer.

The Russian parsun is especially close to the works of Belarusian, Ukrainian, Lithuanian and Polish portraiture of the 14-17th centuries, which often belonged to the parsuna. In the parsun, the similarity of the portrait was conveyed rather conditionally, often elements and a signature were used, which made it possible to recognize the image.