Fauvism in painting Automatic translate

One of the artistic movements that significantly enriched the culture of painting of the twentieth century was Fauvism. This name comes from the French fauve, which means "wild", and appeared after the exhibition "Autumn Salon", held in 1905. The authors of the paintings presented at this exhibition were Henri Matisse, Maurice de Vlaminck, Andre Derain, Albert Marche, Kes van Dongen, Georges Rouault and some other painters. Critics noted that the statue in the classical Renaissance style, which appeared in the same hall as the paintings of all these artists, looked extremely naive, like "Donatello surrounded by wild animals." The name "wild" was picked up by Matisse, it took root, and soon Russian and German painters, adherents of the new style began to call themselves "Fauvists."

Fauvist artists did not recognize any laws previously established by European painting: the imposition of chiaroscuro, perspective, softening or thickening of color, as well as drawing as the primary basis for the entire structure of the picture. Henri Matisse, describing the basic principles of a new direction, emphasized the return of Fauvism to beautiful, pure colors: yellow, red, blue, such that excite human feelings to the very depths. The Fauvist manners are primarily characterized by a dynamic, elemental brushstroke, emotional strength in artistic expression, the reduction of the most complex forms to fairly simple outlines, the piercing purity of bright color.

One of the most prominent representatives of Fauvism in Russia was Mark Shagal He brought a special flavor and temperament to this style. Even the work of the Impressionists, around which there had recently been so much controversy, seemed quite realistic, traditional art against the backdrop of Fauvism. The Fauvist innovators imagined and portrayed the world as they wanted. And since each of these artists had a bright personality, the worlds created by them were completely individual.