Giorgio Vasari – Massacre of the Huguenots on Saint Bartholomew’s Day, August 24, 1572
1572-73. Sala Regia
Location: Vatican Museums (fresco) (Musei Vaticani (murales)), Vatican.
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Гугеноты готовили государственный переворот, к тому же они первыми начали убивать католиков, так что "бойня Варфоломея" – единственно возможный ответ королевской власти на реальную вероятность мятежа.
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The architecture provides a backdrop to this carnage. A substantial building with arched windows and balconies rises above the immediate conflict. Figures are positioned on these upper levels, some seemingly observing the events below while others appear to be actively participating in the violence by throwing objects or gesturing downwards. Light emanates from a window high up in the structure, illuminating a figure who appears to be divine or angelic; this figure is surrounded by a halo and seems to look down upon the scene with an expression that could be interpreted as either sorrow or judgment.
The color palette is dominated by earthy tones – browns, ochres, and reds – which contribute to the overall sense of grimness and brutality. The use of chiaroscuro (the contrast between light and dark) intensifies the drama, highlighting key figures and emphasizing the chaotic nature of the event.
Beyond the immediate depiction of violence, several subtexts emerge. The architectural setting suggests a deliberate targeting of a specific community or group within a defined space. The presence of the figure in the window introduces a layer of moral commentary; it implies that this act of brutality is being witnessed by a higher power and may be subject to divine reckoning. The composition’s vertical format, compressing numerous figures into a narrow space, amplifies the feeling of claustrophobia and inescapable horror. It conveys not only physical suffering but also a sense of societal breakdown and the potential for widespread persecution.