Uffizi – Filippo Lippi - Madonna and Child with two Angels
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Dominating the center is the Child Jesus, seated on his mothers lap and looking directly at the viewer with an almost playfully curious gaze. He is being held by one of two cherubic angels. The angel to the right is a more mature, cherubic figure, with plump cheeks and twinkling eyes, supporting the Christ Child and gazing at Mary with an adoring expression. Another angel, partially visible, rests its head on the Christ Childs shoulder, adding to the sense of divine intimacy.
The background is a breathtaking landscape of rolling hills, a winding river, and distant mountains, suggesting the vastness of Gods creation. The sky, a mix of soft blues and grays, creates a serene and contemplative atmosphere. The scene is framed by an ornate architectural element on the left, possibly a capital of a column, adorned with a rich, patterned casket, suggesting earthly wealth and luxury juxtaposed with the spiritual focus of the painting.
The subtext of this artwork lies in its humanist interpretation of a religious subject. Fra Filippo Lippi breaks from rigid iconographic traditions, presenting Mary as a youthful, earthly mother and Jesus as a lively, realistic child. The angels are portrayed not as ethereal beings but as plump, almost playful putti. This approach humanizes the holy figures, making them more accessible and relatable to the viewer. The detailed landscape and the opulent casket can be interpreted as representing the earthly realm into which the divine enters, highlighting the intersection of the spiritual and the material. The overall effect is one of gentle tenderness, warmth, and a profound sense of familial love within the sacred narrative.