Peter Paul Rubens – The Assumption of the Virgin
1636-38. 56x40. Yale University Gallery, New Haven
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below this celestial event unfolds a scene of earthly mourning and veneration. A group of figures, presumably witnesses to the ascension, are arranged at the base of the composition. Their postures convey a range of emotions – grief, awe, supplication. Some kneel in prayer, their faces tilted upwards, while others reach out as if attempting to grasp the departing figure. The artist has rendered these individuals with considerable attention to detail, emphasizing the texture of their garments and the individual expressions that reveal their emotional state.
The color palette is restrained, primarily utilizing earth tones – browns, ochres, and muted reds – which contribute to a sense of solemnity and antiquity. Light plays a crucial role in defining the narrative; it emanates from the ascending figure, illuminating her form and casting dramatic shadows across the faces of those below. This contrast between light and shadow heightens the emotional intensity of the scene.
The composition’s structure is pyramidal, with the ascending figure forming the apex and the group of mourners constituting the base. This arrangement lends a sense of stability to the otherwise dynamic action. The inclusion of architectural elements – what appears to be a portion of a building or monument on the left side – grounds the scene in a recognizable space, even as it depicts an extraordinary event.
Subtly, the painting explores themes of mortality and transcendence. The grief expressed by the figures below underscores the human experience of loss, while the ascension represents hope for eternal life and divine union. The artist seems to be conveying not only a narrative but also a profound meditation on faith, sorrow, and the mysteries of the afterlife.