Peter Paul Rubens – Burial of Christ
1615-16. 83x65. Courtauld Institute of Art, London
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A male figure, presumably the deceased, lies diagonally across the foreground, his limbs slack and pallid. He is draped in white linen, which pools around him, emphasizing both his vulnerability and the finality of death. Several individuals surround him, their expressions conveying a range of emotions – sorrow, despair, and quiet reverence. A woman clad in blue, positioned near the head of the deceased, appears to be offering some form of solace or ritualistic gesture; her posture suggests deep mourning. Another figure, dressed in red, leans forward with an anguished expression, his hand raised as if in a silent lament.
The artist employed dramatic chiaroscuro – a stark contrast between light and dark – to heighten the emotional impact. The figures are illuminated by a single, unseen source of light that falls upon their faces and upper bodies, leaving much of the background shrouded in darkness. This technique not only draws attention to the central figures but also contributes to the overall sense of tragedy and loss.
The arrangement of the figures is dynamic; they lean towards each other, creating a vortex of grief around the deceased. The artist’s use of flowing drapery adds movement and visual interest, while simultaneously reinforcing the emotional intensity of the moment. The composition avoids any suggestion of grandeur or triumph, instead focusing on the raw, human experience of loss and mourning.
Subtly, there is an underlying sense of quiet dignity within the scene. Despite the overwhelming sadness, the figures maintain a degree of composure, suggesting a belief in something beyond this earthly suffering. The careful rendering of their features and gestures conveys a profound respect for the deceased and a recognition of the significance of the event being depicted.