Peter Paul Rubens – Union of England and Scotland
1633-34. 84x65. Minneapolis Institute of Art
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Below them, a dark, roughly hewn stone structure serves as a base for several symbolic elements. A large helmet lies overturned upon this platform, seemingly discarded or defeated. Flames lick at its surface and around it, suggesting conflict or destruction. At the foot of the stone, another female figure is visible, partially obscured by the flames and shadows; her posture suggests grief or lamentation.
Above these figures, a group of winged infants – putti – hover in the sky. One holds aloft a shield bearing an emblem, while others appear to be observing the scene with expressions that are difficult to discern definitively. The overall effect is one of dramatic tension and layered meaning.
The subtexts within this painting seem to revolve around themes of union, reconciliation, and the transition from conflict to peace. The pouring of liquid could symbolize a bestowal of grace or prosperity upon the central figure, signifying a new era of harmony. The discarded helmet and flames likely represent past struggles and hostilities that are being overcome. The presence of the putti suggests divine intervention or blessing on this union. The grieving woman at the base may embody the losses suffered during previous conflicts, acknowledging the cost of achieving peace.
The artist’s use of light and shadow is particularly noteworthy; it directs attention to key figures and symbolic objects while simultaneously creating a sense of depth and drama within the composition. The swirling clouds in the background contribute to the overall feeling of momentous change and divine orchestration.