Peter Paul Rubens – Moses and the Brazen Serpent
1610. 161x146. Courtauld Institute of Art, London
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The foreground is dominated by individuals afflicted by an unseen malady. They writhe in agony, their bodies contorted in postures of suffering. Some are supported by others, while one figure lies prostrate on the ground, seemingly beyond help. The artist has rendered their physical distress with considerable realism, emphasizing the pallor of their skin and the strain etched upon their faces. A palpable sense of desperation permeates this area of the painting.
A muscular man, positioned to the left of the central figure, appears to be actively restraining one of the afflicted individuals. He is depicted with a powerful physique, suggesting strength and control amidst the chaos. A woman cradles an infant in her arms, her expression conveying a mixture of fear and hope as she looks towards the raised staff. The inclusion of this maternal figure adds a layer of emotional complexity to the scene, highlighting the vulnerability of those affected by the affliction.
The serpent-topped staff is positioned diagonally across the composition, drawing the viewers eye upwards and creating a sense of dynamic movement. Its form – a coiled snake with an elaborate cross at its head – is rendered with meticulous detail, emphasizing its symbolic significance. The light source appears to emanate from behind the central figure, casting dramatic shadows that accentuate the suffering of those below while illuminating his face and upper body.
The color palette is dominated by earthy tones – browns, ochres, and reds – which contribute to the overall sense of drama and realism. The use of chiaroscuro – the contrast between light and dark – is particularly effective in creating a heightened emotional impact. The stormy sky above reinforces the atmosphere of crisis and uncertainty.
Subtly, the painting explores themes of suffering, redemption, and divine intervention. The afflicted individuals represent humanity’s vulnerability to hardship, while the central figure embodies hope and healing. The act of looking at the serpent staff suggests a process of faith and acceptance, implying that salvation can be found even in unexpected or unsettling forms. The compositions arrangement – the suffering masses contrasted with the elevated, almost god-like figure – hints at a hierarchical structure, reinforcing the idea of divine authority and the potential for transcendence over earthly pain.