Rembrandt Harmenszoon Van Rijn – Self-portrait
1665-69. 114х94
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire consists of a red garment layered beneath a dark, fur-lined cloak or shawl. A white head covering frames his face, drawing attention to his features: deep lines etched around his eyes and mouth suggest age and experience. His expression is complex – it conveys both weariness and determination, hinting at the burdens and passions inherent in a creative life.
He holds a painter’s palette in his left hand, positioned prominently in the foreground. The presence of this tool immediately establishes him as an artist, but also suggests a moment captured mid-action, a glimpse into his working process. The palette itself is not pristine; it bears traces of dried pigments, further reinforcing the sense of a practiced and dedicated professional.
The background is indistinct, with what appears to be a circular form faintly visible on the right side. This shape could represent a canvas or perhaps an abstract symbol, open to interpretation. It doesn’t offer concrete details but contributes to the overall feeling of ambiguity and depth within the scene.
Subtextually, this work seems to explore themes of self-reflection, aging, and the artists relationship with their craft. The direct gaze suggests a confrontation with mortality and an assessment of one’s own legacy. The inclusion of the palette is not merely descriptive; it functions as a symbol of artistic identity and the ongoing process of creation. The subdued color scheme and dramatic lighting contribute to a mood that is both somber and dignified, portraying a man who has lived a life dedicated to his art.