Charles-Joseph Natoire – Allegory of the birth of Marie de France, daughter of the Dauphin Louis de France
1750. 194x190
Location: Palace of Versailles (Château de Versailles), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
At the base of the image, a reclining female figure, likely representing Abundance or Fertility, reclines amidst verdant foliage. She gestures towards the central action with an open hand, her body partially draped in fabric that suggests both modesty and sensuality. Around her gather several putti, some holding fruits and flowers, others engaged in playful activities – a visual embodiment of prosperity and joy associated with the birth. A shield and helmet lie nearby, hinting at protection and martial strength.
Ascending from this earthly realm, we see a female figure seated on a monumental staircase. She is adorned in elaborate robes, decorated with heraldic symbols that suggest authority and regal status. Her posture conveys both power and benevolence as she extends her hand towards the infant being presented to her. A spear rests beside her, further emphasizing her role as a protector and leader.
Above this central figure, a group of winged figures – cherubs or putti – float amidst swirling clouds. One angel blows a trumpet, announcing the arrival, while another holds aloft a laurel wreath, symbolizing victory and honor. The presence of a peacock, often associated with royalty and beauty, reinforces the elevated status of the event being depicted. A fountain erupts from the cloud formation, adding to the sense of abundance and divine blessing.
The background reveals an architectural vista – a grand palace or cityscape receding into the distance. This suggests a connection between the birth and the realm it will eventually govern, implying continuity and stability within the ruling dynasty.
The overall effect is one of orchestrated grandeur. The artist has employed a palette dominated by warm tones – golds, creams, and rosy hues – to create an atmosphere of celebration and divine favor. The composition’s hierarchical structure reinforces the importance of the event being commemorated: the birth of a royal heir, presented as a moment of profound significance for the kingdom. The numerous symbolic elements work together to elevate the infant beyond mere human status, portraying her as a figure destined for greatness and blessed by the gods.