Part 2 National Gallery UK – Francesco Pesellino and Fra Filippo Lippi and workshop - The Pistoia Santa Trinita Altarpiece
1455-60
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Здесь верно указано имя художника, завершавшего работу Пезеллино; в других фрагментах алтаря произошла путаница, указано имя фра Анджелико. Этого не может быть, т. к. фра Анджелико умер двумя годами раньше Пезеллино. Работу завершал учитель Пезеллино, тоже монах, потому фра – Филиппо Липпи.
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Here we see a bearded male figure, presumably divine in nature, enthroned above the crucified individual. He is surrounded by two winged entities, their forms rendered with delicate detail and suggesting an ethereal quality. The landscape behind them is compressed into a shallow space, employing a limited palette of blues and greens to create depth.
To the left of the cross stands a male figure in classical garb, holding what appears to be a staff or banner. His gaze is directed towards the central figure, conveying reverence or perhaps lamentation. On the right side, another figure, dressed as a bishop with elaborate vestments, mirrors this posture. The symmetry established by these two figures reinforces the sense of solemnity and order within the scene.
The crucified individual’s body is depicted with an emphasis on anatomical accuracy, though softened by the prevailing stylistic conventions. His expression conveys suffering but also a degree of serenity, suggesting acceptance or transcendence. Light falls upon his form, highlighting the contours of his musculature and emphasizing his vulnerability.
Below the main panel, a series of smaller scenes are presented within individual compartments. These vignettes appear to narrate a sequence of events, likely episodes from a sacred narrative. The figures in these smaller panels exhibit similar stylistic characteristics as those in the larger composition, suggesting a unified artistic vision.
The elaborate frame surrounding the painting contributes significantly to its overall impact. Its architectural elements – the columns and decorative molding – create a sense of grandeur and reinforce the sanctity of the depicted subject matter. The gilded surface enhances the visual richness and suggests an association with precious materials and divine splendor.
The subtexts within this work likely revolve around themes of sacrifice, redemption, and divine authority. The presence of the bearded figure above the cross implies a paternal relationship or a higher power overseeing the events unfolding below. The arrangement of figures and their gestures suggest a complex interplay of emotions – sorrow, reverence, acceptance – all contributing to a narrative of profound spiritual significance.