Part 2 National Gallery UK – Fra Filippo Lippi - Saint Bernard s Vision of the Virgin
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Above him, within what appears to be a niche or grotto defined by rough-hewn stone, sits a female figure in regal attire. She is surrounded by several smaller figures with feathered wings – presumably angels – who attend her with expressions of reverence. The Virgin’s face possesses a gentle serenity, and she holds an infant close, suggesting maternal tenderness and divine grace. Her garments are richly colored, contrasting with the muted tones of the surrounding stone.
A kneeling figure, also winged, is positioned on the right side of the composition, facing the apparition. This individual appears to be in a state of supplication or adoration, hands clasped in prayer. The positioning of this figure creates a visual link between the seated monk and the Virgin, suggesting a shared experience of revelation.
The color palette is restrained, dominated by earthy tones – browns, ochres, and muted reds – which contribute to the scene’s overall sense of piety and solemnity. The limited range of colors directs attention towards the central figures and reinforces their spiritual significance.
Subtleties in the rendering suggest a deliberate attempt to convey not only visual representation but also emotional depth. The monks posture, the Virgin’s gentle gaze, and the angel’s reverent stance all contribute to an atmosphere of profound religious experience. The architectural setting, while simple, provides a sense of enclosure and intimacy, drawing the viewer into the scene and fostering a feeling of shared devotion. The open book serves as a symbolic representation of divine knowledge and inspiration, suggesting that the vision is revealed through scripture or contemplation.