Part 2 National Gallery UK – Domenico Morone - The Rape of the Sabines (before the signal)
с1490
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is dominated by a group of men involved in what seems to be a violent encounter. Several are mounted on horses, their postures suggesting urgency and aggression. One figure, clad in red, is particularly striking; he appears to be struggling with or attempting to restrain another man accompanied by two horses. The overall impression is one of conflict erupting within a formal context.
The artist has framed the scene within an ornate gilded border, which creates a sense of theatricality and emphasizes the artificial nature of the setting. This decorative element draws attention to the narrative unfolding within, simultaneously distancing it from reality.
Color plays a significant role in conveying meaning. The prevalence of red – present in the platform’s drapery, the clothing of several figures, and the central struggle – suggests passion, violence, or perhaps even sacrifice. The dark tones used for the background contribute to an atmosphere of tension and uncertainty.
The arrangement of figures suggests a hierarchical structure, with the seated figure representing authority or leadership. However, the disruption caused by the conflict in the foreground undermines this sense of order, hinting at underlying power struggles or societal unrest. It is possible that the artist intended to depict not merely a historical event but also a commentary on themes of control, resistance, and the fragility of established hierarchies. The deliberate awkwardness in some figures’ poses and expressions adds an element of unsettling realism to the otherwise stylized presentation.