Dalmatian – Saint Joachim and the Angel; The Birth of the Virgin Part 2 National Gallery UK

The composition is divided into two distinct registers, each presenting a narrative scene within a carefully constructed spatial framework. The upper register depicts a pastoral landscape dominated by a verdant hillside rising towards a hazy mountain range. A figure, presumably male and dressed in simple garb, sits perched on the slope, seemingly observing the central action below. Two figures are positioned centrally; one appears to be an older man with a beard, gesturing toward a younger individual seated beside him. The younger person is draped in flowing robes and exhibits a posture of attentive listening or contemplation. A dog lies at their feet, adding a touch of domesticity to the scene.
The lower register shifts to an architectural setting – a portico supported by columns, framing a courtyard-like space. Here we see a group gathered around what appears to be a basin or trough. The older man from the upper scene is present again, now accompanied by the younger figure who seems to be receiving some form of offering or blessing. Several other individuals are depicted in various poses: one kneels near the basin, another stands holding a basket, and yet another observes the proceedings with an air of reverence.
The color palette is restrained, relying on earthy tones – greens, browns, ochres – punctuated by touches of red and gold for the garments. The rendering style suggests a deliberate lack of naturalism; figures are stylized rather than realistically portrayed, and perspective is flattened. This contributes to a sense of timelessness and symbolic weight.
Subtextually, the painting seems concerned with themes of divine intervention and preparation. The upper scene, set within nature, might represent a moment of revelation or spiritual awakening for the older man, prompting him to seek guidance. The presence of the shepherd on the hillside could symbolize a connection between the earthly realm and a higher power. The lower register then depicts the formalization of this encounter – its integration into a structured societal context, signified by the architectural setting and the ritualistic actions around the basin. The contrast between the natural landscape above and the constructed space below highlights a transition from individual experience to communal acceptance or institutionalization. Overall, the work conveys a sense of quiet solemnity and profound spiritual significance.