Francesco Botticini – Scenes from the Life of Saint Jerome – Predella Part 2 National Gallery UK

The composition presents a horizontal arrangement of miniature scenes, likely intended as part of a larger altarpiece or devotional panel – a predella. The format itself suggests a narrative sequence meant to be viewed in order, unfolding across the length of the piece.
Each scene is contained within a distinct spatial setting, indicated by architectural elements and landscape features, though these are rendered with a degree of stylization characteristic of the period. Figures populate each vignette, engaged in actions that presumably relate to a shared subject matter – a life story or series of events associated with a particular individual.
The color palette is restrained, dominated by earth tones – browns, ochres, and greens – punctuated by touches of red and blue for emphasis. The application of paint appears meticulous, with careful attention paid to details such as drapery folds and facial expressions. Light falls unevenly across the scenes, creating a sense of depth and volume, although perspective is not rigorously applied according to later Renaissance conventions.
The arrangement of figures within each scene suggests hierarchical relationships and emotional states. Gestures are deliberate, conveying meaning through symbolic actions. The presence of what appears to be heraldic crests or emblems in some of the scenes indicates patronage or a connection to specific families or institutions.
Subtleties in the depiction of clothing and accessories offer clues about social status and historical context. The overall effect is one of solemnity and reverence, intended to inspire contemplation and devotion. The narrative focus seems to be on moments of significant transition or revelation within the subject’s life – events that carry spiritual weight.

The predellas diminutive scale implies a function as an accessible visual aid for storytelling, likely designed for private devotion or display in a domestic setting.