Fra Filippo Lippi and workshop – Saint Zeno exorcising the Daughter of Gallienus Part 2 National Gallery UK

The composition presents a narrative scene unfolding within a defined architectural space. A central figure, distinguished by his elaborate episcopal vestments and halo, dominates the visual field. He is actively engaged in what appears to be a ritualistic act directed towards a young woman seated on a low platform. The gesture involves placing a hand upon her head, suggesting an intervention or blessing.
Flanking this core interaction are two female figures. One, positioned closer to the viewer, displays a posture of anxious concern, with hands clasped in prayer and eyes fixed intently on the unfolding events. The second woman, situated further back, appears to be observing the scene with a similar expression of apprehension. Their attire is modest, consisting primarily of flowing robes and head coverings, which reinforces their roles as witnesses or participants within this sacred context.
The setting itself contributes significantly to the overall meaning. An arched doorway frames the background, hinting at an interior space that extends beyond the immediate view. The landscape visible through the archway – characterized by stylized trees and a muted color palette – suggests a connection between the earthly realm of human drama and a more expansive, divine sphere.
The artist’s use of light is noteworthy. It illuminates the central figure and the young woman, drawing attention to their interaction while casting the other figures in relative shadow. This creates a sense of dramatic focus and emphasizes the spiritual significance of the event being depicted. The color scheme is restrained, relying on earth tones – ochres, browns, and muted reds – to convey a feeling of solemnity and reverence.
Subtly embedded within this scene are elements that invite deeper consideration. The young woman’s posture suggests both vulnerability and submission, while the central figures gesture implies authority and divine power. The presence of the two female figures underscores the communal nature of faith and the role of women in religious practice. Ultimately, the painting conveys a narrative of spiritual intervention, highlighting themes of healing, protection, and the enduring power of belief.