Part 2 National Gallery UK – Follower of Duccio - The Virgin and Child with Four Angels
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В электронном каталоге картин на сайте Национальной галереи работа Мадонна с младенцем и четырьмя ангелами –
"The Virgin and Child with Four Angels", about 1305 (Inventory number NG6386) приписывается Уголино ди Нерио (Attributed to Ugolino di Nerio, documented 1317-27; died possibly 1329). В залах галереи не представлена.
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The background is dominated by a rich crimson curtain, partially obscuring an area of gold leaf that suggests a celestial realm. The gold serves not only as decorative element but also reinforces the sense of sacredness and otherworldliness associated with the scene. Light emanates from behind the figures, illuminating their faces and highlighting the folds in their garments.
The artist’s use of color is significant. The deep blue of the robe contrasts sharply with the red background and the golden highlights, creating a visual hierarchy that draws attention to the mother and child. The palette suggests a deliberate attempt at conveying solemnity and piety.
Subtleties in the rendering suggest an influence from Sienese artistic traditions. While the figures possess a certain grace, their forms are somewhat flattened, lacking the three-dimensionality characteristic of later Renaissance works. The faces exhibit a stylized quality, with elongated features and large eyes that convey a sense of spiritual intensity rather than individual personality.
The arrangement of the angelic beings contributes to the overall harmony of the composition. Their symmetrical placement reinforces the idea of divine order and protection surrounding the central figures. The gestures they perform – offering scrolls, gesturing towards the mother and child, or simply standing in reverence – imply a narrative element, suggesting their role as intermediaries between the earthly realm and the divine.
The platform upon which the mother sits elevates her status, visually reinforcing her importance within the depicted scene. It also creates a sense of distance between her and the viewer, further emphasizing her elevated position. The overall effect is one of quiet dignity and profound spiritual significance.