Part 2 National Gallery UK – Francisco Bayeu y Subias - Saint James being visited by the Virgin
1760
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
At the apex of the painting, a female figure, presumably the Virgin Mary, is seated on an elaborate throne or chair, radiating light from behind her. Her posture conveys serenity and authority; she appears to be bestowing a blessing upon the figure below. She wears a blue mantle lined with gold, a traditional symbol of Marian iconography.
Below her, a male figure, identifiable as Saint James by the pilgrims staff he holds, is depicted in a gesture of reverence and astonishment. He gazes upwards towards the Virgin, his expression conveying humility and awe. His clothing – a combination of yellow and red robes with a dark cloak – suggests both piety and travel. The artist has rendered him with considerable detail, emphasizing the texture of his beard and the wrinkles on his face, which contribute to an impression of age and experience.
Surrounding the central figures are numerous cherubic angels, their presence reinforcing the sacred nature of the event. They hold lilies, a symbol of purity and innocence, further enhancing the spiritual atmosphere. The arrangement of these angels creates a sense of movement and dynamism within the composition, drawing the viewers eye towards the Virgin Mary.
The color palette is characterized by rich golds, blues, reds, and yellows, contributing to the overall impression of splendor and divine light. The artist’s use of chiaroscuro – the contrast between light and dark – heightens the drama and emphasizes the importance of the central figures.
Subtly, the painting explores themes of faith, humility, and divine intervention. The Virgins elevated position underscores her role as an intercessor between God and humanity, while Saint James’s posture embodies the ideal response to a miraculous encounter: reverence and submission. The inclusion of angels reinforces the notion that this event is not merely personal but part of a larger cosmic order. The scene suggests a moment of profound spiritual significance, intended to inspire devotion and contemplation in the viewer.