Frans van Mieris the Elder – Self Portrait of the Artist, with a Cittern Part 2 National Gallery UK

The composition presents a man in three-quarter view, positioned slightly off-center against a dark, undefined background. He is depicted with a confident and somewhat playful expression; his lips are parted as if mid-sentence or song, and his eyes hold a direct gaze towards the viewer. The sitter’s attire suggests a degree of affluence – he wears a richly textured brown coat with elaborate detailing around the collar and cuffs, indicative of fashionable dress in the period. A plush red cushion supports his arm, adding to the sense of comfort and status.
A cittern, a plucked string instrument, is partially visible, its neck extending over his shoulder, suggesting musical aptitude or perhaps a profession related to music. In his hand, he holds a stemmed glass, likely containing wine, which contributes to an atmosphere of leisure and refinement.
The artist has employed a chiaroscuro technique, utilizing strong contrasts between light and shadow to model the figure’s features and clothing. This enhances the sense of volume and realism, drawing attention to the textures of the fabrics and the subtle nuances of his expression. The lighting is focused on the face and upper body, leaving the background in deep obscurity.
A small inscription appears on a ledge beneath the mans arm, partially obscured but legible enough to suggest a dedication or signature. This detail reinforces the self-portrait nature of the work and subtly asserts the artist’s presence within the image.
Beyond the straightforward depiction of a gentleman engaged in leisurely pursuits, the painting carries subtexts related to artistic identity and social standing. The inclusion of the musical instrument hints at an appreciation for the arts and potentially alludes to the sitters own creative endeavors. The luxurious clothing and comfortable setting convey a sense of prosperity and belonging within a specific societal echelon. Ultimately, the work serves as both a visual record of the individual and a statement about his place in the world – a carefully constructed representation of selfhood intended to project an image of cultivated taste and artistic skill.