National Gallery of Art – Circle of Jan van Kessel - Concert of Birds
1660/1670. Oil on copper, 13 x 18 cm. Credit: Courtesy National Gallery of Art, Washington.
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The arrangement is not random; there’s an implied choreography to the birds interactions. Some appear to be engaged in vocalization – suggesting a concert or performance – while others preen, feed, or simply observe their companions. The presence of an owl nestled amongst the branches introduces an element of nocturnal mystery and perhaps wisdom into this otherwise lively gathering.
Below the tree, a body of water reflects the scene above, doubling the visual complexity and adding depth to the composition. Reeds and other vegetation line the waters edge, further enriching the naturalistic setting. The color palette is dominated by earthy greens and browns, punctuated by the vivid hues of the birds’ feathers – scarlet, azure, gold – which draw the eye across the canvas.
Beyond a straightforward depiction of nature, the painting seems to explore themes of harmony and discord within a community. The sheer variety of bird species, each with its own characteristics, could be interpreted as representing different social types or personalities coexisting in a shared environment. The owl’s presence might symbolize observation or judgment over this dynamic.
The level of detail and the almost obsessive focus on individual elements suggest an appreciation for natural history and a desire to document the beauty and complexity of the avian world. It is likely that the work was intended not merely as decoration, but also as a display of skill and knowledge – a testament to the artist’s ability to render nature with astonishing accuracy and artistry.