National Gallery of Art – Edgar Degas - Girl Drying Herself
1885. Pastel, 80.1 x 51.2 cm. Edgar Degas (French, 1834 1917). Credit: Courtesy National Gallery of Art, Washington.
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The composition is dominated by the figure’s posture: she stands slightly hunched, her shoulders rounded as if shielding herself from observation. A large towel, loosely draped over her back and shoulders, obscures much of her upper body while simultaneously highlighting the curve of her spine and buttocks. The artists choice to depict this area so prominently contributes to a sense of immediacy and unguardedness.
The setting appears to be outdoors, indicated by the verdant green foliage that forms the backdrop. This natural environment contrasts with the inherent privacy of the action, creating a subtle tension between exposure and concealment. A dark blue cloth lies on the ground at her feet, possibly another towel or garment, adding depth to the scene.
The artist’s use of pastel lends a delicate quality to the work. The strokes are visible, contributing to a sense of spontaneity and capturing the fleeting nature of the moment. The color palette is restrained, with greens, yellows, and browns dominating, further reinforcing the naturalistic setting and the subjects earthy physicality.
Subtly, the drawing explores themes of privacy, vulnerability, and the female body. It avoids any overt narrative or moral judgment, instead presenting a simple observation of human behavior. The viewer is positioned as an unseen observer, invited to contemplate the quiet dignity and inherent beauty of this private act. Theres a sense of arrested motion; the moment feels suspended in time, inviting reflection on the transient nature of experience and the power of seemingly ordinary moments.