Cima da Conegliano – Saint Helena National Gallery of Art (Washington)

The composition presents a figure standing prominently in the foreground, holding aloft a large wooden cross. She is dressed in regal attire: a blue gown with elaborate gold embroidery at the neckline and sleeves, topped by a golden crown. Her posture is dignified, her gaze directed towards the viewer with an expression of solemnity. The hand not supporting the cross rests gently on its vertical beam, suggesting reverence rather than exertion.
The background reveals a detailed landscape rendered in atmospheric perspective. Rolling hills are populated with settlements – towns and villages – appearing progressively smaller as they recede into the distance. Architectural elements, including towers and church spires, punctuate the skyline, indicating a developed civilization. The vegetation is lush, with varied shades of green suggesting different types of foliage and terrain. A solitary tree stands to the right of the central figure, its branches reaching upwards towards the sky.
The artist’s use of light contributes significantly to the paintings mood. Light illuminates the woman’s face and upper body, highlighting her features and emphasizing her status. The cross itself is bathed in a soft glow, drawing attention to its symbolic importance. Shadows are subtly employed to define form and create depth within the landscape.
Subtly embedded within this scene are layers of meaning beyond a simple depiction of piety. The elaborate clothing and crown suggest not only religious devotion but also royal lineage or elevated social standing. The presence of the well-developed urban landscape in the background implies a connection between faith, civilization, and imperial power. The cross, as the central object, functions as a potent symbol of sacrifice, redemption, and divine authority. Its prominence within the composition reinforces its significance.
The solitary tree beside her could be interpreted as a symbol of resilience or spiritual growth, standing alone yet firmly rooted in the earth. Overall, the painting conveys a sense of reverence, power, and the intertwining of religious faith with earthly dominion.