National Gallery of Art – Francesco Francia - Bishop Altobello Averoldo
C. 1505. Oil on panel, painted surface: 52.8 x 40 cm. Francesco Francia (Italian, c. 1447 1517). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Altobello Averoldo – ?
You cannot comment Why?
The landscape behind him is rendered with considerable care. It features a winding river reflecting the sky above, flanked by verdant foliage and distant mountains. The city visible on the horizon appears to be a collection of buildings clustered around a central structure, possibly a cathedral or palace. Clouds fill the upper portion of the background, adding depth and atmospheric perspective.
The artist’s choice of color is significant. The dark tones of the clothing contrast sharply with the bright red cloak, drawing attention to the sitters presence. The landscape utilizes a muted palette, allowing the figure to remain the focal point while still providing context for his identity or position. The lighting appears natural and diffused, illuminating the face evenly and highlighting subtle details in the skin texture.
Beyond the straightforward representation of an individual, the painting suggests themes of power, piety, and civic responsibility. The landscape could symbolize the territory under his care or influence, while the formal attire denotes a position of authority within the church or state. The contemplative expression might imply introspection on the burdens of leadership or a connection to spiritual matters. The inclusion of a city in the background hints at an engagement with urban life and governance. Overall, the work conveys a sense of dignity and gravitas, portraying a man of importance and influence within his community.