Bergognone – Christ Risen from the Tomb National Gallery of Art (Washington)

The composition presents a figure emerging from what appears to be a tomb, situated at the base of the scene. The individual is depicted in a posture that suggests both triumph and benediction; one arm is raised in a gesture of blessing or farewell, while the other rests on a knee. A substantial portion of the upper body remains exposed, revealing musculature rendered with considerable detail. Drapery falls loosely around the lower torso and legs, creating folds that contribute to the dynamism of the pose.
A banner bearing a cross is positioned adjacent to the figure, held aloft by an unseen force or emanating from the individual’s presence. Radiating lines emanate from behind the central figure, suggesting divine light and glory. The background transitions from a golden hue at the top to a muted blue-green lower down, creating a sense of depth and emphasizing the emergence of the figure from darkness.
At the very bottom of the painting, within a circular medallion, there is a dark, indistinct mass – likely representing the stone that sealed the tomb. The texture appears rough and uneven, contrasting with the smooth skin and flowing fabric of the central figure.
The subtexts embedded in this work revolve around themes of resurrection, divine power, and victory over death. The exposed body may be interpreted as signifying vulnerability overcome, or a testament to the physical reality of Christ’s suffering and subsequent triumph. The banner serves as a potent symbol of faith and sacrifice. The contrast between the light emanating from the figure and the darkness of the tomb underscores the transformative nature of resurrection – a transition from oblivion to radiant existence. The inclusion of the sealed tomb, rendered in such detail, reinforces the narrative of overcoming obstacles and defying natural laws.