National Gallery of Art – Bartolome Esteban Murillo - Two Women at a Window
C. 1655/1660. Oil on canvas, 125.1 x 104.5 cm. Bartolome Esteban Murillo (Spanish, 1617 1682). Credit: Courtesy National Gallery of Art, Washington.
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The second woman sits comfortably at the window’s edge, leaning on one hand with an expression of quiet contemplation. A subtle smile plays on her lips, contrasting sharply with the visible grief of her companion. The lighting highlights her face, emphasizing a sense of serenity and perhaps even amusement or understanding. Her attire is simple but neat, indicative of modest means yet possessing a certain dignity.
The artist’s use of chiaroscuro – the dramatic interplay of light and shadow – is significant. It not only directs the viewers attention to the women’s faces but also contributes to the emotional atmosphere. The darkness surrounding them creates an air of mystery, hinting at unseen circumstances or narratives that lie beyond the immediate scene.
The shutter itself functions as a symbolic barrier, separating the figures from the world outside and reinforcing their isolation. It could be interpreted as representing protection, confinement, or perhaps a deliberate choice to withdraw from external events. The contrast between the woman’s active display of emotion and the others restrained demeanor invites speculation about their relationship – are they sisters, friends, or mother and daughter? Their differing responses to an unseen event suggest a complex dynamic at play.
The overall effect is one of poignant intimacy, prompting reflection on themes of loss, resilience, and the varied ways individuals cope with adversity. The painting’s strength lies in its ability to evoke empathy through subtle gestures and expressions, leaving much open to interpretation while simultaneously conveying a profound sense of human experience.