Giannicola di Paolo – The Annunciation National Gallery of Art (Washington)

The composition presents two distinct figures contained within circular medallions, set against a densely ornamented dark background. The upper left medallion depicts a winged figure, presumably male, rendered in pale green and gold hues. He gestures with his right hand towards the space between the medallions, while his left arm is bent at the elbow, holding what appears to be a small branch or flowering stem. His expression is one of solemnity, directed outward.
The upper right medallion features a female figure draped in blue robes, her hands pressed together in an attitude of prayer or contemplation. She gazes downwards, seemingly towards the space between the medallions as well. A partially unfurled scroll rests on a stand beside her, suggesting a moment of revelation or communication. The lighting emphasizes the folds of her garments and highlights her face with a soft glow.
Below the medallions, two pairs of cherubic figures are positioned symmetrically. They recline upon ornate supports, each pair flanking a central decorative element – a vessel or chalice. These smaller figures contribute to the overall sense of opulence and divine presence. The background itself is richly detailed, featuring scrolling foliage, stylized birds, and other ornamental motifs that create an elaborate frame for the central figures.
The arrangement suggests a narrative unfolding across the two medallions; a dialogue or exchange between the winged figure and the woman. The placement of the cherubs below reinforces this sense of sacred encounter, acting as witnesses to the event. The dark background serves to isolate the figures, drawing attention to their individual expressions and gestures while simultaneously creating an atmosphere of reverence and mystery. The use of circular medallions lends a formal, almost heraldic quality to the presentation, elevating the depicted scene beyond a simple representation into something more symbolic and significant.