National Gallery of Art – Jan Brueghel the Elder - River Landscape
1607. Oil on copper, 20.7 x 32.1 cm. Jan Brueghel the Elder (Flemish, 1568 1625). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Along the bank, a gathering of figures is depicted; they appear engaged in various activities – some converse, others observe, while still others seem involved in unloading or loading goods from small boats moored along the edge. The clothing suggests a degree of prosperity and social standing amongst these individuals, with rich fabrics and elaborate detailing visible on several garments.
Further down the river, a series of vessels are shown navigating the waterway. These range from smaller rowboats to larger sailing ships, suggesting a bustling trade route or transportation network. The artist has paid close attention to the depiction of light reflecting off the water’s surface, creating shimmering highlights and contributing to the overall sense of depth.
In the middle ground, a cluster of buildings is visible, including what appears to be a fortified manor house or small castle, hinting at local authority or landed gentry. The architecture suggests a period of relative stability and prosperity. A church spire rises above the structures, indicating a presence of religious institutions within the community.
The background features a hazy cityscape receding into the distance, punctuated by more spires and buildings. This creates a sense of vastness and implies that the depicted scene is part of a larger network of settlements. The sky itself is rendered in muted blues and greys, with subtle indications of cloud formations adding to the atmospheric perspective.
Subtly embedded within this seemingly straightforward depiction of daily life are layers of potential meaning. The abundance of activity along the river suggests themes of commerce, travel, and human interaction. The presence of both secular and religious structures implies a complex interplay between societal and spiritual values. The careful arrangement of figures and buildings could be interpreted as an allegory for order and prosperity within a structured society. The overall impression is one of a thriving community engaged in productive activities, set against the backdrop of a tranquil yet expansive natural environment.