National Gallery of Art – Jan Davidsz de Heem - Vase of Flowers
C. 1660. Oil on canvas, 69.6 x 56.5 cm. Jan Davidsz de Heem (Dutch, 1606 1683/1684). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The arrangement is not haphazard but carefully structured; a pyramidal form rises from the base of the vase, culminating in a large white bloom that draws the eye upward. This central focus is balanced by the cascading foliage and lower-lying blossoms, creating a dynamic interplay between verticality and horizontal spread. The inclusion of insects – butterflies and what appear to be flies – adds another layer of complexity. They are not merely decorative elements but suggest themes of transience and decay, subtly hinting at the ephemeral nature of beauty and life itself.
The color palette is rich and complex, dominated by reds, oranges, yellows, blues, and whites. The interplay of light and shadow enhances the three-dimensionality of the flowers, creating a sense of depth and realism. The dark background serves to intensify these colors, making them appear even more luminous.
Beyond the purely aesthetic qualities, the work carries symbolic weight typical of still life paintings from its era. Flowers, often associated with mortality and remembrance, are juxtaposed with the vessel itself – a symbol of containment and preservation. The presence of insects reinforces this theme of decay and the passage of time. It is likely that the arrangement was intended to convey not only beauty but also a meditation on the fleeting nature of earthly pleasures and the inevitability of decline.