Mauritshuis – Antonio Zanchi - Sisyphus
c.1660-1665, 110.4×119.8 cm.
Antonio Zanchi (1631-1722)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figures anatomy is meticulously depicted; muscles strain under exertion, and veins are visible across his torso and arms. His face is contorted in an expression of intense effort and frustration, hands pressed against his forehead as if to ward off a physical blow or emotional despair. A crimson cloth drapes around his head and shoulders, its folds adding dynamism to the scene and drawing attention to the figure’s anguish. Below this, a blue fabric clings loosely to his waist, suggesting hasty abandonment of more formal attire in favor of immediate action.
The background is dark and indistinct, composed primarily of deep browns and blacks that create a sense of oppressive enclosure. A faint suggestion of a slope or precipice can be discerned at the base of the scene, hinting at the unending nature of the task. The limited palette reinforces the somber mood and focuses attention entirely on the figure’s ordeal.
Beyond the literal depiction of physical labor, the painting evokes themes of futility and relentless struggle. The mans posture and expression convey a sense of profound weariness and resignation; his efforts appear destined to be perpetually undone. There is an underlying commentary on human ambition and the potential for it to lead to endless cycles of effort without ultimate reward. The dramatic lighting, highlighting the figure’s musculature while obscuring any surrounding context, emphasizes his isolation within this Sisyphean task.