Mauritshuis – Adriaen Hanneman - Portrait of Constantijn Huygens (1596-1687) and his Five Children
1640, 204.2×173.9 cm.
Adriaen Hanneman (c.1604-1671)
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The children are arranged symmetrically around him, each presented within their individual oval frame. Their expressions range from serious to slightly playful, indicative of varying ages and personalities. The youngest child, centrally positioned above the man, is dressed in white with a delicate pink rose pinned to her garment, held gently by two cherubic figures who flank her. This placement elevates her status within the group, potentially signifying innocence or familial importance.
The framing devices are significant. Each oval frame is adorned with sculpted putti and foliage, contributing to an atmosphere of classical elegance and suggesting themes of prosperity and divine blessing. The dark background serves to isolate the figures, drawing attention to their individual features and emphasizing their status as a privileged family unit.
A small plaque situated at the lower center bears Latin text – ECCF. ET FIDELITAS DOMINI - which translates roughly to “Ecclesiastical Foundation and Loyalty to God.” This inscription introduces a layer of religious subtext, implying that the depicted family’s standing is rooted in piety and adherence to established institutions.
The overall effect is one of carefully constructed portraiture designed to convey not only individual likenesses but also familial values – faith, prosperity, and social standing. The arrangement suggests a deliberate attempt to present this man and his children as exemplars of virtue and societal importance within their time.