Mattheus Terwesten – Allegory of Peace Mauritshuis

The composition presents a female figure seated on an ornate chair within what appears to be an architectural setting reminiscent of classical antiquity. The woman is draped in flowing robes of blue and white, with a laurel wreath adorning her head, suggesting associations with victory or divine status. Her posture conveys a sense of serenity and authority; she gazes forward with a directness that engages the viewer.
A dove, rendered with delicate detail, perches on her outstretched hand. This gesture is central to the work’s meaning, clearly symbolizing peace – the birds traditional association with this concept immediately apparent. The placement of the dove, close to the figure and within easy reach, emphasizes its importance as a tangible manifestation of tranquility.
The chair itself is noteworthy. It rests upon what appears to be discarded armor, partially obscured but still visible at the base. This detail introduces a layer of complexity; it implies that peace arises from or supersedes conflict. The presence of military equipment suggests a past state of war or struggle, now rendered obsolete by the arrival of tranquility embodied by the woman and her dove.
The background is softly diffused, with architectural elements – columns, arches, and what might be a vaulted ceiling – suggesting an idealized space. Light falls gently upon the figure, highlighting her features and emphasizing the smooth texture of her drapery. The overall effect is one of controlled elegance and refined sentimentality characteristic of allegorical works from the period.
The artist’s choice to frame the scene within an oval creates a sense of containment and focus, drawing attention specifically to the central figure and her symbolic gesture. This compositional device reinforces the idea that peace is a precious and carefully guarded ideal.