Salomon de Bray – Putti Bearing a Cartouche with Stadholder Frederik Hendrik’s Date of Birth Mauritshuis

The composition presents a horizontal arrangement dominated by figures of putti supporting a cartouche inscribed with text. The overall effect is one of sculpted relief, achieved through careful manipulation of light and shadow that emphasizes volume and form.
Here we see four youthful male figures – putti – arranged symmetrically around the central cartouche. Their poses are dynamic; two reach upwards to support a garland of leaves, while the others extend outwards, creating a sense of movement and stability. The putti’s bodies are rendered with considerable anatomical detail, exhibiting a classical idealization characteristic of Renaissance and Baroque art. They possess a certain languid grace, their limbs relaxed yet poised.
The cartouche itself is the focal point. It is elaborately scrolled and bears Latin text detailing a name and date – FR.HENR.NASSAVIVS AVR IACVS NASC.DELF. IV. CAL.FEB. CIƆIXXXIV. The lettering, though formal, appears somewhat integrated into the design of the cartouche itself, suggesting an intentional blending of textual information with aesthetic appeal.
The color palette is restrained, primarily consisting of muted earth tones – ochres, browns, and creams – which contribute to the impression of a sculpted relief. This limited range directs attention towards the forms and the inscribed text. The lighting appears to originate from above and slightly to the left, casting shadows that define the contours of the figures and enhance their three-dimensionality.
Subtly, the arrangement conveys themes of celebration and commemoration. The putti, often associated with innocence, joy, and divine favor, lend a sense of auspiciousness to the occasion being marked by the inscription. Their support of the cartouche suggests an endorsement or veneration of the individual named within. The use of Latin reinforces the formality and importance of the event – likely intended for a learned audience familiar with classical languages. The overall presentation implies a deliberate effort to legitimize and elevate the subject through association with classical ideals and established traditions.