Mauritshuis – Cornelis Troost - Pefroen and the Sheep’s Head
1739, 63×50.5 cm.
Cornelis Troost (1696-1750)
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Adjacent to them stands a tradesman, identifiable through his apron and broad-brimmed hat, which obscures much of his face but reveals a wide, expressive grin. He carries a basket containing what appears to be the head of a sheep, presented with an air of theatricality. The woman gestures towards him with her hand, seemingly indicating or commenting on something he is displaying.
The background provides a glimpse into a cityscape, featuring buildings rendered in muted tones and partially obscured by foliage. This backdrop establishes a sense of place without drawing undue attention away from the central interaction between the figures. Light falls predominantly upon the foreground, highlighting the textures of their clothing and emphasizing the man’s jovial expression.
The paintings subtexts revolve around themes of social class and humor. The contrast between the refined attire of the couple and the more humble appearance of the tradesman suggests a scenario where the upper classes find entertainment in observing or interacting with those of lower status. The sheep’s head, an unusual prop, introduces an element of absurdity and potentially alludes to a playful mockery or jest. It is likely that the scene captures a fleeting moment of lightheartedness, offering a glimpse into the social dynamics and customs of the era. The artists choice to focus on this particular interaction implies a commentary on the complexities of human relationships and the ways in which amusement can arise from unexpected encounters.