Mauritshuis – Moyses van Wtenbrouck - Wooded Pool with Salmacis and Hermaphroditus
1627, 43×66 cm.
Moyses van Wtenbrouck (c.1590/1600-c.1647)
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On the left side of the painting, a figure kneels at the pool’s edge, seemingly absorbed in observing the water. Their posture suggests contemplation or perhaps an attempt to discern something hidden beneath the surface. To the right, another pair of figures are positioned on a rocky outcrop overlooking the pool. One is depicted with their back turned, revealing a classically rendered male form; the other figure, draped in flowing garments, appears to be gesturing towards the water. The arrangement suggests a narrative unfolding, though its precise nature remains ambiguous.
The trees dominate much of the visual field, their gnarled branches intertwining and obscuring parts of the scene. This creates a sense of enclosure and mystery, reinforcing the feeling that this is a private, almost sacred space. A small herd of animals can be glimpsed on an elevated hillside in the distance, adding depth to the landscape and hinting at a wider world beyond the immediate setting.
The color palette is dominated by earthy tones – greens, browns, and grays – which contribute to the overall mood of tranquility and seclusion. The limited use of brighter colors draws attention to the figures and highlights their significance within the composition.
Subtleties in the arrangement invite interpretation. The positioning of the figures suggests a dynamic between them; the male figure’s averted gaze could imply shame, regret, or simply an unwillingness to engage. The female figures gesture towards the water might indicate revelation, warning, or perhaps even complicity. The pool itself functions as a symbolic element – representing not only physical water but also potentially themes of transformation, reflection, and hidden truths. The overall effect is one of restrained drama, leaving the viewer to ponder the unspoken narrative unfolding within this secluded woodland haven.