Gerrit Alberts – Portrait of a Man, probably Mathias Lambertus Singendonck (1678-1742), Burgomaster of Nijmegen Mauritshuis

The portrait presents a man positioned three-quarter view against a dark, uniform background. The oval format frames the subject, drawing immediate focus onto his person and emphasizing a sense of contained importance. He is depicted with a direct gaze towards the viewer, establishing an intimate connection that suggests both confidence and accessibility.
Here we see a man in attire indicative of a position of authority or wealth. A rich red coat forms the primary layer of clothing, its texture rendered with careful attention to light and shadow, suggesting quality fabric. Over this, a loosely draped blue cloth is thrown, adding an element of relaxed elegance while also hinting at civic duty – perhaps alluding to a role in governance through symbolic representation of official robes or linens. The collar is simple, white linen, drawing the eye back to his face and preventing distraction from the elaborate hairstyle.
The most striking feature is undoubtedly the man’s hair. It is styled in voluminous curls, characteristic of late 17th and early 18th-century fashion. This extravagant coiffure serves not merely as a stylistic choice but also as a visual marker of status and refinement. The dark tones of the hair contrast with his pale complexion, highlighting the contours of his face and contributing to an overall impression of aristocratic bearing.
The artist has paid particular attention to rendering the man’s facial features. His expression is subtle; it isnt overtly joyful or sorrowful, but rather conveys a sense of quiet contemplation and self-assurance. The slight asymmetry in his features lends him a degree of individuality, preventing the portrait from becoming merely an idealized representation.
The lighting is carefully controlled, with soft illumination falling across his face and upper body. This creates a gentle modeling effect that enhances the three-dimensionality of the figure and directs attention to key areas – particularly the eyes and mouth. The subdued palette – dominated by reds, blues, browns, and creams – contributes to an atmosphere of solemnity and dignity.
Subtly, there is a sense of restrained power conveyed through the composition. The man’s posture is upright but not stiff; his gaze is direct but not aggressive. These details suggest a person who holds authority not through force, but through intellect and social standing. The overall effect is one of dignified presence and quiet command.