Mauritshuis – Frans Snijders (studio of) - Still Life with a Dead Stag
c.1650, 121×180.3 cm.
Frans Snijders (studio of) (1579-1657)
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The composition presents a lavish display of game and produce arranged on a draped table. A large stag dominates the central space, its body suspended at an angle that emphasizes both its size and the stark reality of death. The animals musculature is rendered with considerable detail, highlighting the artist’s skill in depicting texture and form. Beside it lies a boar, its head positioned as if caught mid-roar, contributing to a sense of dynamism within the still life.
A basket overflows with an abundance of fruits – peaches, grapes, plums – alongside other produce like lemons, creating a visual contrast between the raw meat and the ripeness of nature’s bounty. A plate piled high with cooked crabs adds another layer of culinary richness to the scene. The arrangement is further punctuated by scattered nuts on the tables surface, adding small details that contribute to the overall sense of abundance.
The background reveals a glimpse of an interior space, framed by a window through which a parrot observes the display. This inclusion introduces a touch of life and perhaps a subtle commentary on observation or even vanity – the bird’s gaze could be interpreted as assessing the scenes opulence.
Beyond the purely decorative aspects, the painting carries subtexts related to mortality and abundance. The presence of dead game is not merely about showcasing wealth but also serves as a memento mori, a reminder of life’s transience. The lavish display of food suggests prosperity and indulgence, yet it is juxtaposed with the inevitability of decay represented by the stags lifeless form. This interplay between abundance and mortality creates a complex visual narrative that invites contemplation on themes of wealth, consumption, and the fleeting nature of existence. The careful arrangement of objects, the meticulous rendering of textures, and the inclusion of symbolic elements all contribute to a work designed not only for aesthetic pleasure but also for intellectual engagement.