Michelangelo Merisi da Caravaggio – Sacrifice of Isaac
1602. 104x135. Galleria degli Uffizi, Florence
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Интересное описание этой картины и её аллегория?
You cannot comment Why?
In this dramatic painting, often titled The Sacrifice of Isaac, we witness a pivotal moment from the Book of Genesis. The scene is set in a dark, shadowed landscape, with a more brightly lit foreground where the main figures are concentrated.
At the center, an elderly man, Abraham, with a powerful build and a stern, focused expression, is depicted in the act of sacrificing his son, Isaac. Abrahams left hand grips Isaacs head firmly, pulling it back, while his right hand holds a glinting knife, poised to strike. Isaac, a young man with a dramatically contorted face and wide, fearful eyes, struggles to resist his fathers grip. His mouth is open in a silent cry, and his pale skin is illuminated by the dramatic lighting, emphasizing his vulnerability.
To Isaacs left, a divine figure, an angel, is forcefully intervening. The angels left hand is placed on Isaacs head, gently turning it away from the knife, and its right hand gestures emphatically towards Abraham, perhaps indicating a divine command to stop. The angel also wears a flowing red drapery, which contrasts with the muted tones of Isaac and Abraham.
To the right of Isaac, a rams head, with its curved horns and attentive gaze, is prominently featured. This animal is the divinely provided substitute for Isaacs sacrifice.
The background depicts a desolate, mountainous landscape with hints of human habitation, including a distant village or town nestled amongst the hills and trees. The sky above is overcast, contributing to the somber and dramatic mood of the painting.
Subtexts: