Nikolai Dmitriev-Orenburgsky – The last battle at Plevna November 28, 1877 900 Classic russian paintings

The canvas presents a sprawling panorama depicting a scene of surrender following intense conflict. A vast assembly of soldiers dominates the foreground, their uniforms suggesting affiliation with a European military force – likely Russian, given the historical context implied by the style and subject matter. They are arrayed in a disorganized fashion, many standing at attention while others appear exhausted or wounded. The posture of these men conveys a sense of defeat and resignation rather than martial pride.
The composition is structured around a central axis leading towards a distant fortification – a complex structure of earthworks and palisades that recedes into the background. This architectural element serves as a visual anchor, emphasizing the scale of the conflict and the strategic importance of the location. A large group of Ottoman soldiers are visible near this fortification, seemingly overseeing the surrender process. Their presence reinforces the narrative of capitulation.
Scattered across the field are signs of recent battle: fallen men – both living and deceased – lie amongst discarded weaponry and equipment. The artist has rendered these figures with a degree of realism that underscores the human cost of war. A few horses, some ridden by soldiers, others loose and seemingly panicked, add to the chaotic atmosphere.
The color palette is dominated by muted earth tones – browns, grays, and ochres – which contribute to the overall somber mood. The sky, painted with a hazy quality, suggests an overcast day, further diminishing any sense of optimism or triumph. Light falls unevenly across the scene, highlighting certain figures while leaving others in shadow, creating a dynamic interplay between visibility and obscurity.
Beyond the immediate depiction of surrender, subtexts emerge concerning national identity and imperial ambition. The orderly arrangement of the surrendering soldiers contrasts sharply with the disarray of the battlefield, hinting at an attempt to impose order on chaos – a common theme in depictions of military victories or, conversely, controlled defeats. The vastness of the landscape underscores the scale of the conflict and the power dynamics at play between empires. Ultimately, the painting serves as a visual record of a pivotal moment, imbued with layers of meaning that extend beyond a simple portrayal of surrender.