Reflections on Art and Life Automatic translate

Recently in London, in the famous Tate Modern Gallery, I got to the exhibition of the famous Juan Miró. The exhibition occupied twelve or even thirteen rooms. I got the impression that she was arranged in chronological order, the pictures in the first hall and the last two were so dramatically different.

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In the first hall, it seems, were the paintings of the period when the artist was just making his way through his talent. As far as I remember, there were quite clearly distinguishable portraits, the whole "strangeness" of which was the unnaturalness of the flowers. By the eleventh to twelfth hall there was nothing meaningful - on the walls hung children’s "kalya-mala" with burnt holes. In the last room, two almost identical paintings hung nearby - a white background and a long pencil stroke. As one friend of mine said, the main thing in these paintings is Miro’s signature. That is, the artist has already become famous, and now he can afford to relax and earn "a little" money.

Not so long ago, two or three years ago, a children’s book of Tamara Kryukova fell into my hands. It was called, I remember, “Potapov, to the board!” There I came across this situation: a hero, a teenager, sees in the gallery pictures of some impressionist and decides: “I can do that too.” This thought crossed my mind. And I’m not alone at all. Something similar reigns on modern television.

Everyone now knows that the best way to fame is shocking. From here on the stage are mat, striptease and dresses made from raw meat. After all, to a person, since he descended from a monkey, closer is not faith, conscience and tradition, but something more understandable and simple - his own "I" and entertainment. If you think about it, this is the reason for the popularity of atheism, paganism and mat on the fences.

Progress… Facilitation of living conditions, new rules, new values. The strongest, most popular, untwisted wins. Or in time he made a scandal to the whole world, which brought him fame.

It’s not worth saying that “time is like that”. Now there are simply more opportunities, but the same has always been the case, albeit on a smaller scale.

grafoman