Anticipation Charles Samuel Keene (1823-1891)

The drawing presents a scene of rural leisure, executed in a rapid and expressive style using pen and ink washes. Here we see three figures positioned along a path that leads into a densely rendered background of foliage. The composition is dominated by the upright posture of the men, each holding what appears to be a long-barreled firearm. One figure, situated on the left side of the frame, wears a distinctive peaked cap and leans heavily on his walking stick, suggesting age or fatigue. He moves forward with a deliberate pace.
The second man, positioned centrally, stands more rigidly, his gaze directed towards something beyond the viewer’s perspective. His posture conveys a sense of attentiveness, perhaps even anticipation. The third figure is partially obscured by the central one and appears to be in motion, adding a dynamic element to the otherwise static arrangement.
At the lower right corner, a small dog rests on the ground, its form sketched with loose lines that capture its relaxed posture. This inclusion introduces an element of domesticity and reinforces the impression of a leisurely outing. The background foliage is rendered with a flurry of short, intersecting strokes, creating a sense of depth and texture while also contributing to the overall feeling of immediacy.
The tonal range is limited, primarily consisting of browns and tans, which lends the drawing a muted, earthy quality. This restricted palette focuses attention on the figures and their interaction with the landscape. The artist’s use of hatching and cross-hatching creates subtle variations in tone, suggesting form and volume without resorting to detailed modeling.
Subtly, theres an undercurrent of tension present within the scene. While ostensibly depicting a relaxed pastime, the presence of firearms introduces a potential element of threat or vigilance. The men’s focused gazes and upright postures suggest they are not merely enjoying a stroll but are also alert to their surroundings. This duality – the juxtaposition of leisure and preparedness – adds complexity to the drawings narrative and invites speculation about the context of this outing.