Sketchbook Drawing Charles Samuel Keene (1823-1891)

The drawing presents a seated figure rendered in a rapid, gestural style. Here we observe a man positioned three-quarter view, occupying most of the rectangular composition. He is dressed formally, wearing a hat and what appears to be a suit jacket over a collared shirt. His hands are clasped loosely in front of him, resting on his thighs. The posture suggests a degree of weariness or contemplation; he seems settled into the chair rather than actively engaged.
The artist employed a technique characterized by short, parallel lines to delineate form and suggest volume. These lines create a sense of movement and energy within the figure, preventing it from appearing static. There is an intentional lack of precise detail; facial features are suggested rather than meticulously rendered, contributing to a feeling of immediacy and spontaneity. The sketch appears to be executed quickly, prioritizing capturing the essence of the man’s pose and presence over photographic accuracy.
The background is minimal, consisting primarily of the papers texture and some faint markings – possibly notations or preliminary sketches – that are visible in the upper portion of the sheet. These additional marks add a layer of context, hinting at the drawing as part of a larger sketchbook practice.
Subtly, the figure’s downward gaze and relaxed posture convey an impression of introspection or perhaps even melancholy. The formal attire contrasts with the informal nature of the sketch itself, potentially suggesting a study of character rather than a portrait intended for display. It is possible that the drawing aims to capture not just the physical appearance but also a sense of the man’s inner state – a fleeting moment of quiet reflection.