‘Oh, Tax ’em by all means!’ Charles Samuel Keene (1823-1891)

The drawing presents a seated figure positioned near a window, rendered in a loose, sketch-like style using graphite or charcoal. The composition is vertically oriented, emphasizing the height of the window and the posture of the man. He appears elderly, with a prominent beard that dominates the right side of the frame. His gaze is directed outward, towards the view visible through the windowpanes.
The window itself acts as a significant compositional element. It’s depicted with a degree of detail suggesting architectural solidity, yet its contents remain largely indistinct – a suggestion of rooftops and structures beyond are hinted at but not sharply defined. This ambiguity contributes to a sense of distance and perhaps detachment on the part of the seated man.
The figures posture is one of contemplation or resignation. He leans back into what appears to be an upholstered chair, his hands clasped loosely in his lap. The lines used to depict him are somewhat hesitant, conveying a feeling of weariness or introspection. There’s a certain vulnerability suggested by the way he occupies the space – not actively engaged with it, but passively observing.
The artists use of shading is minimal, relying instead on variations in line density to suggest form and volume. This contributes to the drawing’s overall sense of immediacy and spontaneity. The lack of strong contrasts creates a muted atmosphere, reinforcing the impression of quiet observation.
Subtextually, the work seems to explore themes of societal burden or responsibility. The mans position near the window – a symbol often associated with perspective and outlook – suggests he is observing something beyond his immediate surroundings, perhaps contemplating broader issues. His aged appearance and weary posture imply a long history of dealing with these concerns. The indistinct view through the window could represent the complexities and uncertainties of the world outside, or perhaps the consequences of actions taken within it. The overall impression is one of quiet dissent or reluctant acceptance of an imposed duty.