Robert Charles Samuel Keene (1823-1891)

The drawing presents a man in formal attire, seemingly caught mid-stride within what appears to be a commercial setting. He is depicted with a pronounced swagger, leaning on one leg and holding a glass aloft, presumably containing wine. The figures posture suggests a degree of self-importance or perhaps jovial indulgence. A top hat sits firmly atop his head, contributing to the overall impression of affluence and social standing.
Behind him, a sign proclaims Australian Wines, establishing a context of commerce and consumption. The lettering is rendered in a hurried, almost chaotic style, contrasting with the relatively precise rendering of the mans figure. This juxtaposition may subtly comment on the relationship between consumerism and individual presentation – the man’s carefully constructed image set against the backdrop of mass-produced goods.
The artist employed a loose, sketch-like technique, utilizing rapid lines to define form and volume. The lack of detailed shading contributes to a sense of immediacy and informality. This stylistic choice also lends itself to a certain caricature; the man’s features are exaggerated, particularly his nose and mustache, hinting at a satirical intent.
The subtexts within this drawing extend beyond a simple portrait of a wine drinker. It appears to be an observation on social customs, perhaps critiquing the performative aspects of leisure and consumption in a burgeoning commercial era. The man’s posture and attire suggest a desire for recognition or approval, while the backdrop of Australian wines implies a connection to colonial trade and expanding markets. Ultimately, the drawing offers a glimpse into a specific moment in time, capturing both the individual and the broader social forces at play.