Sketchbook Drawing Charles Samuel Keene (1823-1891)

The drawing presents a study in pen and ink on paper, executed with a rapid, gestural style. A central figure dominates the composition: a woman seated in what appears to be a chair or stool, engaged in a textile-related activity. She is depicted from behind, her posture suggesting concentration and perhaps a degree of weariness. The details of her attire are minimal but indicate a traditional head covering, possibly a turban or similar regional garment.
The artist’s focus seems less on precise rendering than on capturing the essence of movement and form. Lines are loose and expressive, creating a sense of immediacy and spontaneity. The womans body is suggested through quick strokes that delineate the contours of her shoulders, back, and limbs. A textile – likely yarn or thread – is visible in front of her, hinting at a process of spinning or weaving.
Arranged above and to the side of this central figure are smaller, more abbreviated sketches. These appear to be preliminary studies for other figures, perhaps intended as compositional elements or character portraits. One shows a woman in profile, while another is a partial depiction of what could be a head or face. The placement of these secondary drawings suggests they were created during the same session and may represent explorations of different poses or expressions.
The overall impression is one of a working sketch, a record of observation rather than a finished artwork. The lack of shading and the reliance on line alone contribute to this sense of informality. Subtly, the drawing conveys an atmosphere of quiet industry and perhaps even a glimpse into a traditional craft or trade. It’s possible that the artist was interested in documenting cultural practices or simply exploring the human form within a specific context. The sketchs intimacy invites speculation about the womans identity and her role within a larger social setting, though these remain largely speculative due to the drawings fragmentary nature.