A Deputation from the Whitefriars Charles Samuel Keene (1823-1891)

The drawing presents a scene of formal presentation before a seated figure identified as Y Queen. A group of individuals, labeled “A Deputation from y Whitefriars,” are arranged in a hierarchical manner, seemingly delivering an address. The central figure, presumably the speaker, is depicted with exaggerated features – a large nose and prominent ears – suggesting caricature and mockery. He holds a document or scroll, which appears to be read aloud.
The composition employs a strong sense of perspective, drawing the viewers eye towards the Queen. She sits upon an elevated throne, surrounded by other figures whose faces are rendered with less detail, creating a sense of anonymity and emphasizing her position of authority. Behind the Queen, a sign reads Y Kabinet, hinting at a location of power or decision-making.
The overall tone is satirical. The exaggerated features of the deputation suggest ridicule and a questioning of their seriousness or importance. The placement of the word “PRIE” above the scene reinforces this impression, implying that the individuals are being presented as pompous or self-important. The inscription at the bottom, Address by Mrr Punch, confirms the satirical nature of the work, identifying it as a product of social commentary and humor.
Subtly, the drawing seems to critique the relationship between authority and those who seek to influence it. The depiction of the deputation suggests that their efforts are being met with skepticism or amusement rather than genuine consideration. The use of caricature serves not only to entertain but also to subtly undermine the perceived power and legitimacy of both the deputation and, potentially, the Queen herself. The visual language employed is deliberately simplistic, contributing to the accessibility and immediate impact of the satirical message.