Study for “A Woman Hater” Charles Samuel Keene (1823-1891)

The drawing presents a figure rendered in graphite on paper, exhibiting a pronounced sense of caricature and observation. Here we see a man depicted in profile, his posture suggesting a combination of disdain and intense scrutiny. He is dressed formally, indicated by the top hat perched atop his head and what appears to be a tailored coat. The lines are loose and expressive, prioritizing gesture over precise detail; this lends an immediacy and spontaneity to the work.
The figure’s face is particularly striking. His brow is furrowed, his mouth downturned in a grimace, and his eyes narrowed as if focused on something unpleasant or objectionable. This expression conveys a palpable sense of disapproval, bordering on hostility. He appears to be looking down at an object held in his hand – a small, rectangular form that could be a letter, a pamphlet, or some other piece of paper. The way he holds it suggests not just reading but also a critical assessment, perhaps even a rejection of its contents.
The artist’s choice to depict the man in such a contorted pose contributes significantly to the overall effect. His body leans forward, as if recoiling from whatever he is examining. This physical reaction reinforces the negative emotions conveyed by his facial expression. The drawings simplicity – the limited tonal range and lack of background detail – focuses attention entirely on the figure and his internal state.
Subtly, the work hints at social commentary. The man’s formal attire suggests a position of some authority or respectability within society, yet his demeanor implies a deep-seated prejudice or aversion. It is possible to interpret this as an exploration of societal biases and the ways in which individuals express disapproval or disdain towards others. The drawings strength lies not only in its technical execution but also in its ability to evoke a complex range of emotions and suggest underlying social dynamics through a single, carefully observed gesture.