Charles Keene as a Volunteer Charles Samuel Keene (1823-1891)

The drawing presents a seated figure in military attire. The subject is rendered with a rapid, energetic line, suggesting a spontaneous sketch rather than a meticulously planned composition. He occupies most of the vertical space, his posture conveying a sense of casual authority and perhaps slight boredom. His weight rests primarily on one leg, while the other is bent at the knee, creating an informal, relaxed stance despite the formality of his uniform. The hands are positioned with one resting on the opposite thigh, further contributing to this impression of ease.
The artist employed hatching and cross-hatching techniques extensively to model form and create tonal variation. This technique is particularly evident in the rendering of the face and the folds of the clothing, adding depth and texture to the figure. The hat obscures much of his forehead and eyebrows, lending a degree of anonymity while simultaneously emphasizing the military aspect of his identity.
The stool upon which he sits appears rudimentary, constructed from roughly drawn lines that suggest a functional rather than decorative purpose. It reinforces the sense of an unceremonious setting, perhaps a moment of respite during duty. The shadow cast by the figure indicates a light source coming from above and to the left, contributing to the three-dimensionality of the scene.
In the lower right corner, a small signature or monogram is visible, providing evidence of authorship. This placement feels almost incidental, as if added after the main composition was completed.
Subtleties within the drawing suggest a commentary on the nature of military service and perhaps even a gentle satire. The relaxed posture contrasts with the rigid formality of the uniform, hinting at a disconnect between expectation and reality. The overall impression is one of quiet observation – a glimpse into a moment of everyday life within a structured environment.