Part 1 Louvre – Frans Pourbus the Younger (1569-1622) -- Saint Francis Receiving the Stigmata
1620, 227х162
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The setting is a densely wooded area, depicted with a muted palette that emphasizes the solemnity of the event. Dark foliage frames the scene, creating a sense of enclosure and isolation. A rocky outcrop rises on the right side, further defining the space and adding to the feeling of ruggedness and austerity. The ground beneath the figure is strewn with debris – scattered bones, a skull, and fragments of what appear to be discarded objects – suggesting mortality and renunciation.
In the upper portion of the painting, a luminous apparition appears within a halo of light. It takes the form of an angelic being, its features indistinct but conveying a sense of divine presence. The figure’s posture is one of offering or bestowal, reinforcing the narrative of a sacred encounter.
Two additional figures are visible in the background, partially obscured by the trees. They appear to be observing the central event with expressions of reverence and awe. Their positioning suggests witnesses to a profound spiritual revelation.
The artist’s use of chiaroscuro – the dramatic contrast between light and dark – is particularly effective in highlighting the figures emotional state and drawing attention to the source of divine illumination. The overall effect is one of intense religious fervor, portraying a moment of profound suffering and spiritual transformation. The inclusion of memento mori elements (skull, bones) serves as a constant reminder of human transience and the importance of faith in the face of mortality.